Nazario
Nazario, Al fin soy feliz, Tinta y acuarela en papel Arches, 64h x 37.5w in
Nazario, Camino difícil, Tinta en papel Arches, 82h x 44 5/8w in (Colección privada)
Nazario, Este sueño surcará las ventanas y el baúl de tu espejo interno, 42h x 23w in, tinta y aguada en papel Arches (Colección privada)
Nazario, Repicar anunciando libertad, Tinta y acuarela en papel Arches, 82h x 20w in (Colección privada)
Nazario, Néctar, donde está tu melodía, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 30h x 22w in (Colección privada)
Nazario, Todas las horas no caen a tiempo, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 43h x 17w in (Colección privada)
Nazario, Prisa tiene la brisa, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 70h x 45w in (Colección privada)
Nazario, La semilla crece donde el sol la deposita, 2024 Ink, watercolour and acrylic on paper (mixed media), 44h x 63w in (Colección privada)
Nazario, Selvas hasta el fin, 2024, Ink, watercolour and acrylic on Arches paper (mixed media), 30h x 22w in (Colección privada)
Nazario, Rumor dorado, 2024, Ink, watercolour and acrylic on paper (mixed media), 30h x 22w in (Colección privada)
About
Nazario (Santo Domingo, 1985) has developed a career that crosses art and writing with critical thought and public communication. He has presented at the exhibitions Artefacto dileke (2022) and Artefacto manigua (2023), and he has participated in exhibitions such as Encuentros (2017). He is the author of Carne cruda (2010) and ²Op cit (2023), and has been a finalist for literary awards such as the Casa de Teatro International Short Story Competition. His essay on government narratives was published in Washington, D.C., in 2017.