Nazario
Nazario, Néctar, donde está tu melodía, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 30h x 22w in
Nazario, Todas las horas no caen a tiempo, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 43h x 17w in
Nazario, Prisa tiene la brisa, 2025, ink, watercolour and acrylic on Arches paper (mixed media), 70h x 45w in
Nazario, La semilla crece donde el sol la deposita, 2024 Ink, watercolour and acrylic on paper (mixed media), 44h x 63w in (Colección privada)
Nazario, Selvas hasta el fin, 2024, Ink, watercolour and acrylic on Arches paper (mixed media), 30h x 22w in (Colección privada)
Nazario, Rumor dorado, 2024, Ink, watercolour and acrylic on paper (mixed media), 30h x 22w in (Colección privada)
About
Nazario (Santo Domingo, 1985) has developed a career that crosses art and writing with critical thought and public communication. He has presented at the exhibitions Artefacto dileke (2022) and Artefacto manigua (2023), and he has participated in exhibitions such as Encuentros (2017). He is the author of Carne cruda (2010) and ²Op cit (2023), and has been a finalist for literary awards such as the Casa de Teatro International Short Story Competition. His essay on government narratives was published in Washington, D.C., in 2017.